Kiya Clark
The Lost Files.
For my second museum
visit, I chose to venture out and visit the New Britain Museum of American Art.
It was rainy, and my six year and I both had the day of so why not?
It
was a little bit of a drive for me and the museum did cost $10, which I had no
problem paying. The cost of the museum’s don’t upset me, seeing as we didn’t
have to purchase a book but combined with the travel it can be a lot to manage
but I’m enjoying the challenge. But back to the day, the front desk clerk was
polite and efficient, seeing I had a little one she quick to tell what couldn’t
be touched and what areas were most kid-friendly, which I greatly appreciated.
Right away she asked us not to get too close to the sculpture near the door, my
son and I were so confused. I asked what sculpture and she pointed it. It
looked so real I thought it was a guard!
The
New Britain Museum of American Art’s “founding in 1903 entitles the institution
to be designated the first museum of strictly American art in the country.”(NEW
BRITAIN MUSEUM OF AMERICAN ART) The museum pride itself on buying pieces not
too costly, keeping the museum afloat. The original directors took advice from
some fellow directors, like Bryson Burroughs from the met, who initially
suggested the museum focus solely on American Art in order to be as cost
effective as possible.
The
museum overall was clean, appeasing to the eye, and pretty well-rounded off
first impression. I really enjoyed the diversity in art pieces. Often I’ve been
to museums and most of the painting specifically showcase Caucasians. The fact
that right away one of the pieces my son saw was of two African American girls
and he said “oh look mommy, it’s like you and annah” (what he calls my sister),
was really important to me. It’s important to offer pieces that can relate to
multiple people, ethnicities, and cultures, especially if it’s American Art.
Another strength of the
museum was the collection of similar pieces in a designated area, going from
room made it feel like leaving one artist’s vision to visit another. There was
a few pieces by Neil Jenny in one room (I was later told by a bystander I wasn’t
supposed to take pictures of the work in this area *oops*).
Neil Jenney(1945)
North American Vegetae (2006-07), Oil on wood in artist’s painted wood frame Courtesy of Artist.
|
Neil Jenney(1945)
Study(Dog)(1970), Acrylic
and graphite on canvas in artist’s painted wood frame Hall Collection.
|
Neil Jenney(1945)
Felis Catus(1970), Acrylic
and graphite on canvas in artist’s painted wood frame Hall Collection.
|
The artist I chose to focus on is Dennis Hopper and
the lost album. Hopper used a Nikon camera, specifically a 28 mm lens with
black and white film to capture some amazing images. The images are showcasing hoppers
experiences and encounters around the 1960’s. The images were taken and printed
in black and white. The images are on the smaller size, looked like a range of
4x6-8x10’s varying in content. The exhibition of this famous selection of
images was showcased in 1970 at the4 Fort Worth Art Center Museum with
voiceovers of himself and colleagues. Hopper was an actor, and painter, along with being a photographer so he had
many artistic ventures.
Most of his photography
seemed to be portraits of people and places, the everyday encounters. The
images are so simple at first glance, but offer such an experience into what
life was like in the 1960’s. What women, men, kids, both ordinary, and extraordinary
were doing on a day to day basis. Dennis was inspired by a fellow actor who
encouraged him to take up photography to better prepare for becoming a
director. He was said to be interested in the simplistic an basic-ness of walls
and structures, which makes sense as to why his phonographs were so beautifully
simple. His work can be categorizes as realism, leaving people and things just
the way they are in his pictures. I
think Hopper’s style of portraits influenced some of the future black and white
style photographers. His work ended up on some album covers, so I’m sure it
offered some encouragement or inspiration to some of the music it accompanied.
Hopper
was also known to be a heavy drug user, and a majority of his photos show
others using drugs recreational. This was even more popular in the 70’s, and
his work could have been said to influence the showing of such activities. His
acting career often suffered from his drug use, and the behaviors that were a
result of it. Hopper’s work is beautiful nonetheless and conjures raw emotions because
the images themselves are so raw.
References
NEW BRITAIN MUSEUM OF AMERICAN ART. (n.d.). Retrieved
from http://www.nbmaa.org/museum-of-american-art/about
H. (n.d.). DENNIS HOPPER | OFFICIAL WEBSITE OF HOPPER
ART TRUST. Retrieved from http://dennishopper.com/
Yeah like 90% of the time the special exhibits are NOT able to be photographed. If you haven't gone yet and are planing to go to Yale British, make sure to ask ahead of time because I was told that everything but one painting on the third floor could be photographed (they did not specify which one) even though the third floor is a special exhibit. Nobody stopped me, though i did take the photos when the guard walked awaym
ReplyDeleteThe one painting that couldn't be photographed was from the George Shaw collection. The guard told me that, like the others, it was on loan and this particular owner made no photographs a condition of the loan.
DeleteIs there a large amount of Jenney works on display?
ReplyDeleteI think there was like 3-4 maybe 5 jenney pieces
DeleteThe experience of going out to museums with his mother is such a great thing for your son. He seems to be having a good time. Hopper's photography is notable for how he is documenting a cultural moment including the Civil Rights march on Selma and images of Dr. Martin Luther King. People on the fringe of society, such as drug users, as you point out as well as other cultural moments from the 60's... Good going.
ReplyDelete