With my plans to visit the MET this weekend scuttled due to family
demands, I turned my attention to the Bruce Museum in Greenwich. Never having
been to the Bruce I knew little of what to expect. Unlike my experience at the
Wadsworth last week, this visit proved to be underwhelming. Perhaps I should
have done advanced research, then I would have known that it was as much a
science museum as an arts museum. While arts and science share equal billing,
it is heavily, at least as currently exhibited, towards science. Just to be
clear, I love science and did enjoy the exhibits, but I came for art. Okay,
enough ranting.
The Bruce Museum of Arts and Science was once the mansion of
Robert Moffat Bruce, a textile merchant. The mansion was built in 1853 and
deeded to Greenwich upon his death in 1908. It first opened as a museum in
1912. In the early days it exhibited the works of local artist from the Cos Cob
Art Colony, many of whom were American Impressionists.
Although there were scant few Impressionist paintings, few
paintings at all form that matter, they did have an exhibit that recently opened
and caught my attention. It is entitled Downsized: Small-Scale Sculpture by
Contemporary Artists. The exhibits force the viewer to take a closer look than
normal, a fact that the greeter is quick to remind.
This first piece was created by British artist Matthew Simmonds
and is called Millennium and was carved out of limestone. The former architectural stone mason finds a strength
and permanence in stone, believing it to the natural material to have an inherent
connection with the Earth. The carving is as much about the negative spaces ad
how the light plays off the openings which cast shadows that reveal something
new at different times of the day, expressing something different for every viewer
from every angle. The Carving is places on a waist high pedestal allowing for
it to be viewed from all angles and vantage points.
American
artists Walter Martin and Paloma Munoz collaborated on creating snow globes,
but not your ordinary snow globes. These globes show a dark sense of humor, or
what the information card describes as “subverting the familiar kitsch of a
souvenir snow globe.” Their series, called
Travelers, has a hint of the absurd as ordinary scenes when viewed closely something
is just a little off from the norm
Next up is the work of Syrian artist Mohamad Hafez, who’s
work is his therapy as he combats homesickness. Hafez creates art from the
ravaged pieces of the country of his birth, which has been decimated since
civil war broke out in 2011. He creates miniature versions of his old neighborhoods
of Damascus. There is a great article about Hafez and his work at Aljazeera.com,
where he says of his creations, “If you can’t go home, maybe you could recreate
home.” His work is an example how artists can take personal tragedy and create a
thing of beauty. The materials he used ran the gamut from laundry lines and random
rubble from shelled buildings. Hafez, exhibiting the soul of aspiration says wistfully,
on the information card, “It’s amazing, the resiliency in the human spirit.
That is something I’d like to talk about in my art.”
Here are two examples of his work.
Another
interesting and whimsical display is that of Alan Wolfson, whose Occupied Hotel
Room, invites viewers to peer into the miniaturized Monopoly board square of an
imagined Baltic Avenue hotel. From an ordinary distance there appears to be
little more that a cutout in the board game square. However, the closer you get
the more of the tiny work is revealed.
Looking through the opening, you are transported to a seedy, heavily lived in hotel room that one could imagine could have only been created with a steady hand and stellar patience. The level of detail is stunning, with even reflections in the tiny mirrors.
There
wasn’t as much as thought there would be in the museum, but when a closer look
is taken, there is some truly wonderful examples of art to behold
Cite
https://www.aljazeera.com/indepth/features/mohamed-hafez-homesick-syrian-artist-miniature-war-scenes-180313204226092.html
I agree. I went on Saturday for the first time and I was slightly underwhelmed at what was available for viewing. I didn't walk away with much. I really enjoyed the miniature exhibit, and the retooled exhibit was interesting to wak through, but I didn't take any photos of the miniature exhibit in the man hallway because I thought that was part of the "no photography section." I snapped one or two further in of those dioramas when out of view. The miniaturized town based on Hudsoon Valley towns was impressive. I decided this would be a photo essay week.
ReplyDeleteI think I was more pissed I paid to go in.
DeleteOh I wasn't happy about that either.
DeletePerhaps I should remove the smaller museums from the list... like the Bruce and substitute multiple visits to the Yale Art Gallery if you live in the New Haven area or the Wasdworth Atheneum if in the Hartford region... To help soften the pain of an admission fee, remember that the museum itself is your textbook...and textbooks can be pretty pricey these days.
ReplyDeleteI like your observations about the nature of sculpture vs 2D work and the appreciation of scale...
I'm wrapping my museum post right now and looking back over this one Wolfson piece in comparison to the one I chose to showcase. I wish I had realized I could snag photos in that section of the exhibit and that they only wanted you to not take photos of Retooled. Wolfson's display are something to behold. I went and looked at his website at some of his other work. I wish I had heard of this guy earlier; the level of detail he puts into these miniature pieces is impressive. For somebody who always focuses on what's going on in the background, it's a dream!
ReplyDelete