Sunday, December 23, 2018

Final Observation Paper 4


This class, The Museum Experience, is aptly named as that is exactly what one gets, an experience in visiting museums with a purpose. The knowledge that a blog of the visit is to be kept makes one look at the art, ant the museum itself, with a more discerning eye. I have visited many museums over the years, in many cities, in several countries, always with a sense of awe and amazement, not only of the beauty of the art, but also of the time that has passed since many of the pieces were created. This is, in part, why I have been fascinated by pieces from antiquity, the Renaissance, and Neoclassicism. The passage of time has done little to detract from the beauty of much of the creations of these periods.


Like many people, I assume, my first introduction to art came from modernity. The works of Picasso, Van Gough, Rodin, Cezanne, Toulouse-Lautrec, Gauguin, and Matisse, among others, have become instantly recognizable throughout the world for a reason. They resonate still, more than a century later, and inspire the imaginations of young and old alike.

I’ve been to the Metropolitan Museum of Art before, and the time spent never seems to be enough. The vastness of the collections held within are more than a single visit can do justice. As mentioned on the blog, it should be visited at least twice a year to even have a remote chance to experience the MET in all its glory.















The Bruce Museum is a nicely situated stately museum located in Greenwich. The structure is impressive while the collection of art is not. This is as much a science museum as an art one. This was easily my least favorite experience of the class and a location I will not be returning to.








Yale Center for British Art was not one of my favorite museums as I didn’t have an overwhelming interest, or appreciation, of British art. I always had the image of an over representation of British aristocracy, or picturesque sea-faring paintings. But this time, I was forced to slow down, put my preconceptions aside, and look upon the collection through an uncluttered lens. The Center itself is a work of art. The art itself, tells stories that represent the history of the Britain Empire, which is significant.  Additionally, the center is home to some influential artists such as Whistler, Henry Moore, and Rubens. While still not my area of choice, I have new found appreciation of British art, and the Shaw exhibit was a revelation. I will be back for more.
















The Yale Art Gallery is a place that I have also visited before, in fact, it has become my go-to museum of choice, with its close location and diversity of art. This museum contains great example of modern art that well represents the period, as well as collections that highlight African art, European art, ancient art, ancient art of the Americas, and the art form that was my first love, photography.











The Wadsworth Atheneum Museum of Art was unknown to me prior to this class, as such it was a very pleasant discovery. Surrealism is a movement of which my interest was tepid at best, but the collection here provided a lot of context that was enlightening in which I was better able to understand to political element of much of the movement, particularly in response to the Spanish Civil war. The only piece I was aware of in this regard was Picasso’s Guernica, but I was introduced to so much more that was similarly created like Dali’s Soft Construction with Boiled Beans and Apparition of Face and Fruit Dish on a Beach. 













  In addition to the Modernist Surrealist paintings there where Impressionist paintings, European decorative art, costume and textiles, and contemporary art. The permanent collection alone has over fifty thousand works on display which is enhanced by the temporary exhibits like the Edward Hopper Watercolors exhibition or the Design in the American Home, 1650 to 1850 ongoing exhibit. The one draw back of the Wadsworth, is their rules regarding picture taking in much more restrictive than all the other museums. Regardless of that inconvenience, this newly, for me, discovered museum will most certainly be on my frequently visited list from now on, and has now given the Yale Art Galley competition for being my favorite art museum in Connecticut. For this introduction alone, the class has been a pleasurable, and educational, experience.

And as the class comes to an end, to illustrate my obsession with sculpture is not without reason, please allow my to show one of my creations.


                                                          Old Man - Bowens 2013


Best wishes to all.



Friday, December 21, 2018

Wadsworth Atheneneum Museum of Art


Hi again my fellow museum explorers! Because it wouldn’t be me if I wasn’t working right up until the end of the semester, I visited the Wadsworth Museum in Hartford yesterday after work. I was beyond thrilled to find cheap parking directly in front of the museum because I had a cranky/hungry post-school day six years old accompanying me. I liked the setup of the museum, it looked sleek and clean from the outside and the front desk was front and center making it easy to pay and just get going.  $5 for students, and free for the little one of course. I greatly enjoyed the staffs friendly demeanor and suggestions for kid-friendly(ish) areas.

                The museum, founded in 1844 holds over 50,000 different pieces of art, varying in mediums. Originally, the “Gothic Revival Wadsworth building of 1844, designed by the eminent architects Ithiel Town and Alexander Jackson Davis” (Wadsworth Athenaeum Museum of Art) was going to be a gallery, but was then finalized as an athenaeum. Unlike some other museums, the athenaeum holds a library, artifacts, and a dedication to learning and history.

                I initially thought the museum would hold a small amount of art, but to my surprise it was much larger inside. Sort of a maze o get around, varying from time period to time period. I started on the first floor, which had a very open floor plan with a large marble sculpture in the dead center. These are a few of the very first pieces I felt compelled to look at. The two are so different but each captivating in the detailed human characteristics, both are somewhat portrait style.

"Pavel Tchelitchew" by Constance Askew


"Portrait of Toks Adewtan (King of Glory)" by Kehinde Wiley


There was a contemporary art section, which I think dividing the work into categories is a major strength, especially for some with only a certain amount of time to visit. The maps were very helpful, as well as little alerts throughout the museum that stated when any of the content was violent/contained nudity as a heads up. Over the course, visiting the many museums I learned that I enjoy minimalist art and marble sculpture the most. So of course those pieces caught my eye right away.
"Kiruna" by Martin Puryear
"Western Sky (over New York City, February 25, 2004, 7am to 6pm, at one hour intervals) by Spencer Finch



                The art that resonated with me most during my experience was titled Eve Repentant (1858) by Edward Sheffield Bartholomew. Surprisingly the amazing artist was a dentist and practiced with here in Hartford Connecticut before following his dream of becoming an artist and then later a sculptor. His career wasn’t the longest, but he was successful in many of his art pieces. He died in 1858, and a majority of his works are located in the Wadsworth museum.




                The piece “Eve” is a large marble sculpture. It is of the famous eve, from the biblical story of Adam and Eve. The sculpture illustrated a partially nude Eve almost enwrapped in the serpent who is known for enticing Eve to take a bite of the forbidden fruit, against Gods wishes. I love the simplicity in the sculpture, it is in its rarest form just a women sitting on a rock glancing down at an apple and snake. Directly contrasting the simplicity, the small aspects are very detailed. The snake’s scales are very life-like with such great attention to the way the snake’s body lays out across the stones. This is a religious Art piece, and although I’m sure many similar have before and after it, it stands out in its sleek design. Below the large women are pictorials which I assume to be the overall story of Adam and Eve.





















The room that housed the Eve sculpture had very tall walls totally covered with painting, I think the fullness of the room added to the beauty of the sculpture and allowed me to appreciate the marble work even more. Overall the museum was wonderful and I greatly enjoyed visiting it for the first time. There was a wide range of art, varying in artist, style, and time. I liked the collections of everyday items like animals/insects as well as cutlery and pots and pans. It was an enriching experience, one I plan to continue to partake in even after the course.

References
Wadsworth Atheneum Museum of Art. (2015). History. Retrieved from https://thewadsworth.org/about/history/
Evisum Inc. (2000). Virtual American Biographies. Retrieved from http://famousamericans.net/edwardsheffieldbartholomew/


Thursday, December 20, 2018

The MET


The infamous Metropolitan Museum of Art, such high expectations go along with the name, and boy did they live up to the hype. Saturday was the perfect (winter) day for a New York trip, it wasn’t freezing, snowing, or raining, so I took advantage of the day. I decided to drive rather than take the train with my mom and 15 month old son. I packed a bunch of snacks for the baby, and made sure not to forget the stroller and headed on the highway. It was an hour and forty minute drive and we paid to park in a nearby garage and made our way toward the famous Met steps. I have been to the Met once before so I was surprised by the stairs but I loved the atmosphere the same as I did with my first visit. This was my mom’s first visit so she loved it and we took a bunch of pictures.

 

            The Metropolitan Museum of Art was founded in 1870 by “Calvert Vaux and Jacob Wrey Mould who had a vision initially of a Ruskinian Gothic structure.”(History of the Museum 2018) Since the initial public opening it has been expanded over the years, but all surrounding the original structure. The museum is known around the world and has countless pieces of art, objects, and sculptures from artist all over. There are said to tens of thousands of pieces held in the museum. It’s a near impossible task to visit the museum once and see all that it has to offer. It is better to tackle the museum in sections, and on different days. Here a few pieces that I just really enjoyed looking at.

"Emperor Henry IV at Canossa" Ubaldo Gandolfi
"Helmet Mask", Moyamba district Mende or Sherbro peoples 19th-20th century


"Black-on-White Pottery of the Prehistoric Southwest"
"Prei Dieu" Stammer & Breul 1855


            My first impression was honestly on the building as a whole, the way people moved to the areas they were either familiar with or drawn to. The friendliness and helpfulness of the guards, so willing to suggest and provide some insight of their own. The first collection that caught my eye were some life-like Greek sculptures. A strength was that there were themes of either time period or location to the neighboring pieces. The initial collection I saw were Greek sculptures from 2nd or 3rd period BC. This allowed for the public to see what art was like varying from country to country.

Marble Head of a god, probably Zues, Fletcher Fund 3rd Century BC
Bronze statue of a man, Collection of Shelby White and Leon Levy 1st century BC

The piece I chose to focus on is “Ugolino and His Sons” by Jean-Baptiste Carpeaux (1865/1867). The medium of this massive piece is marble. This piece was created between 1865 and 1867, it’s said that the artist often re-did and attempted to prefect his work multiple times before its finish, obsessing over the final product. By first glance I thought the work showed the struggle of human anguish, clearly defined in the facial features of the sculpture. There are five enter-twined bodies, all wrapped up and around a larger figure whom is clearly overwhelmed with thought. I then read that the piece was rather based off the ultimate rise and fall of “the Pisan traitor Count Ugolino della Gherardesca, his sons, and his grandsons were imprisoned in 1288 and died of starvation.” (The Metropolitan Museum of Art, 2000-2008). I think this piece shows a struggle, one that many people can relate to. One of the inner struggle (his thoughts) accompanied by the outside (dying). The little details like the strain of the man’s forehead to the ripples and bends on their backs show not only the emphasis on the struggle, but also how it can be illustrated throughout the human body.
 

            Jean-Baptiste Carpeaux, among a family of stonemasons, grew up in Paris and attended school to study mostly liberal arts. His rise to stardom started with winning some contests and awards, “despite being caught cheating.” (NGA) His sculpture “Ugolino” introduced his art to Paris and afforded him great success and money. He was estranged from his family so once becoming ill, he traveled the world alone eventually dying in 1875. The war and some smaller pieces of art were the cause of his financial troubles, which he then sought to correct with “focused on amassing income through commercial edition”. (NGA)
close up
close up


            Carpeaux’s body of work traditionally fit into the baroque and rococo period of work. His most famous pieces being sculpture of marble and more on the theatrical side. Many questioned if his work plagiarized that of others, because of its similarities to other rococo “architectural decorations”. (NGA) He directly influenced some latter artists who either mocked, or were greatly inspired by his work.
            Overall, I was greatly pleased with my visit to the museum and would go back in a heartbeat! There were so many pieces, and so many different mediums or timeframes to choose from that it was hard to pick an area to devote my time. Although the Ugolino was my favorite sculpture, there was a section of the museum that showcased a bedroom during the Venetian era that was totally captivating, I took a video of the room but I wish I took some pictures because the room was so intricate and just breathtaking.




References
History of The Museum. (n.d.). Retrieved December 17, 2018, from https://www.metmuseum.org/about-the-met/history
N. (n.d.). National Gallery of Art. Retrieved from https://www.nga.gov/collection/artist-info.2056.html